
The Music
Today is all about the songwriting & audio
Listen while you read
Songwriting
When I wrote “Ghost in the Machine,” my goal was to create an unsettling atmosphere right from the start, but I didn’t want listeners to dwell in that feeling for too long. I wanted the energy to shift, leading to a more hopeful tone. with this in mind, I began with a low, almost whispered first verse, layered with eerie harmonies. Midway through, the melody jumps up an octave, signaling a shift in energy that crescendos into an explosive chorus with rich, lush harmonies. My approach was heavily influenced by the vocal production styles of Paramore, Billie Eilish, and Halsey who masterfully blend tension and release in their music. You can explore a playlist of the artists and sounds that inspired this track here.
Lyrics
Something is pulling like 100 strings
and if you ask me I would say something
is often off and disrupted I've seen
in modern making of a human being
So sew me up until I feel complete
to make me safer from an evil breed
I’ll take a step into the open deep
Unwanted action of a youthful me
The ghost in the machine, It’s always here with me, But I choose to believe, One day I’ll be a Queen
So rip the glue until I start to bleed
Just bust it open rip me at my seams
I wanna hurt so lay it on me deep
So I can feel you digging your disease
Cross hatch an “x” into me underneath
The satin laying on my sallow knees
I’ll close my eyes until your here and need
A reason for me to exist complete
One day I, One day I, One day I, One day I
One day I, One day I, One day I, One day I
The ghost in the machine, It’s always here with me, But I choose to believe, One day I’ll be a Queen
The ghost in the machine, It’s always here with me, But I choose to believe, One day I’ll be a Queen
Alternate Versions
A studio-recorded live piano ballad, and an unplugged acoustic guitar version
Early Recordings
Below is the original version of the verse, before the octave shift you hear in the final track. You’ll also find the initial chorus melody, which differs slightly from what you hear in the current version
The Harmonies & Vocal Recording Explained
Isolated Vocals
I’ve put together these isolated vocals to give you a closer listen to the vocal production, allowing you to hear them on their own without the full track
Live for the first time
The first time we performed Ghost in the Machine live was opening for Lacey Sturm from Flyleaf.
16-year-old me, who spent so many days with Lacey’s voice in my earbuds, would be losing her mind if she knew she’d one day share the stage with her!
Stay tuned!
There’s still more to come! I’ll see you tomorrow with an exclusive look at the creation of the music video